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Iconography Of Durer's Melancholia

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... Philadelphia Museum of Art. Exhibition Catalogue. ) The image of Guanyin has its roots in Indian iconography. However, only when Guanyin came to China did her image take on themes and subject matter. Thus the Italian evolution generated a "Western" style of iconography that was not Church grew stronger in Rome and other parts of Europe, Italian iconography gradually moved to more forms of religious which dries quickly and shows no brushstrokes. Italian Roman Catholic iconography at first retained several themes of Orthodox Byzantine iconography. However, as the images, iconography and gold backgrounds. This painting was not painted on canvas, as we are accustomed, but on wood, ...



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Sources list for ICONOGRAPHY OF DURER'S MELANCHOLIA:

Cavarnos, Constantine. (1992) Orthodox Iconography. The Institute For Byzantine And Modern Greek Studies, Inc. Belmont, MA
The Art of Icons

Shung, GuoTao. Iconography of Wild and Cultivated Orchids in China. Taipei: Shu-Shing Press, 1993.
The Orchid Family

Reynolds, Larry J. "American Cultural Iconography: Vision, History, and the Real." American Literary History 9.3 (1997): 381-395.
Western Photography's Perception

Dooley, Tara. "Exhibit reveals riches of iconography." Knight Ridder/Tribune News Service, August 9, 2000.
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Dooley, Tara. "Exhibit reveals riches of iconography." Knight Ridder/Tribune News Service, August 9, 2000.
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